The Music Never Stops
                by John Keller
I understand that Elvis was a big influence in your music. What was it specifically that attracted you to his music?
The first time I saw him on the Ed Sullivan Show. I knew that I wanted to make people feel with my music the way I felt when I watched him perform. He was so natural. He felt every note he sang. So natural, yet naive! Just like many aspiring performers, I spent many hours in front of the mirror. It had to be perfect!

Where were you when you heard of Elvis' death?
When I first heard the news that Elvis died, I guess I was in shock. I was visiting my mom in the hospital when the news came on. " Elvis has Passed away!' the announcer said. I heard it, but it just couldn't sink in. It can't be true, but it was!  Suddenly there was a big void inside.  I felt like I lost my brother, or best friend.  Helpless, but there was nothing I could I do!
What did you think about some of the tribute songs (Ronnie McDowell/The King Is Gone, John Fogerty/Big Train from Memphis, etc.) that arose in the time following his death?
I was pleased with some of the tribute songs that were recorded in his memory, if they were from the heart and not for some financial gain.

How did your song "Lisa" come about?
It is all very strange how our the song came about. My wife of 48 years, Mimi, who I would not have traded for any music career, wrote it for me. She was not comfortable with me pursuing a career in show business; she was most content with our nice little country home and soon, our large family with 6 children. She knew how helpless I was feeling about Elvis' passing. While I was away on business, she wrote "Lisa" for me. Here is where it gets strange. She said "I sat down to write it, and if was as if someone was telling me what to say!" It took her about 25 minutes to write. Finally, I could help to fill the void. I could now do something for Elvis that he could no longer do himself. The message to his daughter, Lisa, is just what we feel Elvis would say if he could.

Where was it recorded?
Bob Yaeger's  UCA Studio on Lenox Ave Utica. It was recorded 2/25/78.
 
Among the musicians on the recording were Carmen Caramanica & Rick Montalbano. How did they get involved in the project?
I did not know Carmen Caramanica.  I had heard of him, but we never met. When we did meet, he was exactly what I was looking for.When he listened to the cassette I had recorded, he replied, "Man, that's a heavy tune. I don't know if I can do anything with it." I responded "Why is that?"  He said "The cat is dead; if we are going to do it, it must be done in reverence!"  That is exactly what I needed to hear. Carm took control, brought in some of his key people, Rick Montabano, Sam Maggio, Pat Basile, and Cos Cosamonto, and into the studio we went.

The B-side was an Elvis number. Why did you choose that song?
I recorded "I Was the One" on the B-side as I felt this was how things were between Elvis and Pricilla. She was so young when they met, and he was deeply hurt when he lost her.

There are 2 pressings of the single - a blue label & a gold label plus a picture sleeve. Why 2 versions?
The original master went to Nashville (Gold Label), this is by far the best quality. The second pressing came about as we wanted to have additional copies available when we went to Memphis. The same master was used on both.
 
Tell us the story about trying to promote the single. I believe you went down South to push it. right?

We decided to take a trip to Memphis because we were receiving many inquiries, which was the result of airplay, especially from local radio personality, Hank Brown, who is the best! While in Memphis, we, Mimi and I, were interviewed by the BBC who was on location shooting a film, "Elvis Lived." We are proud to say that "Lisa" was used in the production of that film. I actually received some fan mail from England Fan Clubs.We also met with a record producer. He was very impressed.  He said, "If you had this song available immediately after his passing, you would have had a Gold Record." His rationale was, all we needed was national air play.  The DJs were playing all the Elvis tribute songs and most of them were terrible. He said, "You have something special there!" But, timing is everything!

 Are there still copies of "Lisa" available?
I do have copies available. There may be some at Off-Center Records in Utica.

Have you recorded anything else?

As far as other recordings, I could never produce anything to top "Lisa"! For me that says it all. The lyrics, arrangement and production are as good as it gets from me. I have recorded 4 CDs, mainly covers from Morrison to Mraz, just for personal friends and family, not to release.

Do you still perform?
Now that I am retired and have the time to devote to my music, so much has changed. If I had dedicated musicians with the same desire as I have, I would definitely be out there performing now. Fortunately, I do have some great memories of some of the shows I did do during the late 70s and 80s. Trinkaus Manor Dinner Shows, Hanna Park, Utica / Rome Speed Way, Trade Wind, plus many Special Corporate performances in various hotels in the Syracuse area. Even a few field days.

What do you do now?
I do not actively pursue performing, however, I will upon request. My sons are also musicians; we have done some shows together, but not on a regular basis. I still love show business and still ask Jesus to take the desire away and give it to someone else that can use it. Unless he still has something in mind for me, the feeling is still there!

Your sons are also musicians. What words of wisdom or philosophies have you instilled in them towards the field of music?
My advice to my sons and other aspiring musicians is as follows:
1. Put yourself into the lyrics, feel them!
2.Make every performance better than your last.
3.Always leave them wanting more.
4.Love what you are doing.
5.Never lose the butterflies,just get them to fly in formation.
6. Never give up on your dream.
 
Doug, thank you for talking with us about your wonderful contribution to our local music scene. Is there anything you would like to add?

I honestly feel that if Elvis could have heard "Lisa", it would have made him happy. There will never be another Elvis! He changed our lives and the world!
January 8, 2012

   January is the birth of a new year. It also marks the anniversary of Elvis' birthday on January 8th. The King of Rock and Roll gave the world tremendous love and music. August 16th 1977, Elvis died. His passing affected a great many lives. In the wake of his death, dozens of Tribute songs were released by all ranks of artists.

   In 1978, a local musician recorded one of the finest Elvis Tribute songs, "Lisa." Sung from the viewpoint of Elvis singing to his daughter, from Heaven, it is very heartfelt and tender & with a memorable melody. This was the only recording by Doug DeMarche' Sr., but it is a great contribution to local music and to Elvis' memory. I recently spoke with Doug about his career and "Lisa."
 
Are you originally from Central NY?

I was born in Utica and have lived in this area all of my life.
 
What are your musical beginnings?
As a youngster, I sang country music, as that's all that was available, except the big bands, Glenn Miller etc. Then, Elvis came along.

Did you perform regularly in the area?
With raising a family, it was impossible to pursue a career in show business which was my dream. It still is. I would pray "Jesus, if I can't do this, then please take away the desire, give it to someone else that can use it. But he never made it go away!


 
"Lisa," an Elvis tribute song by Doug DeMarche, Sr.
Note: There are a few copies of Doug DeMarche's single "Lisa" available at Off-Center Records on Bleecker Street in Utica.
John Keller's articles and reviews HOME
Interviews/Articles

The Case Family -Interview with Randy Case

John talks about Songwriter's Circle

April 29, 2012 Rich Massucci, organizer
Veterans' Outreach Center Benefit Concert


April, 2012 The Mossback Mule Band

March, 2012 Tom Yacovella

February, 2012 Doug DeMarche Sr.
Click Here for local CD Reviews

Ricky Turner - The Significance of Being Nothing

Mark Zane - Walk It OffRoger Smith - blues

Donna Mucks - Faith and Service

Pamme Swan - Year of Firsts

Johnson & Co. - Funky Guitar Man

A native of Utica, New York, John Keller began playing guitar and writing songs as a teenager. Since that time, he has honed his skills to become a well-received performer/songwriter, as well as a sideman with several musical projects.

He hosts a Songwriter's Circle at The Tramontane Cafe, as well as the weekly Open Mic in Rome, NY. When not performing, John owns & runs a vintage record shop on Utica, Off-Center Records. Music runs through the heart and soul of John Keller, and he wouldn't want it any other way.


www.johnkellermusic.com

John Keller/Off-Center Records
116 Bleecker St.
Utica, NY 13501
Ph. 315-738-7651
offcen1@aol.com
The Case Family -An Interview with Randy Case

As we know, this area is rich in music, past and present. The Case family has been making music for quite some time. Paul Case's name should be familiar to anyone who has an interest in local music. My interview is with another of the Case clan, Paul's cousin, Randy. Randy has also been a mainstay on the local club circuit. He recently released a CD, "Here To Testify," not recorded locally. His horizons are wide. I asked Randy a few questions on his career.

Are you originally from the Mohawk Valley?

I'm originally from the Sylvan Beach/Camden, NY area. I went to school in Camden and grew up around Camden.

What were your earliest influences towards music?

My earliest, I think, were listening to my family play bluegrass. Bill Monroe, The Carters, & Johnny Cash. When I was a kid I remember hearing on the radio that Elvis was home from the army. When the Sixties came I was listening to the Beatles with everybody else.

Being from a musical family, what sets the Case family apart from most, as far as longevity?

Both sides of my parents' family have played for years. My grandfather on my mother's side was a local fiddle player. My uncles played guitar and banjo, my aunt played accordion, and all the rest sang harmony, kind of like revival time. They sang a lot of old country tunes and hymns. My aunt was great for hymns she knew them all.
My dad used to play with some of the country bands around. A lot of people know my cousin Paul and my brother Scott plays down in New Orleans. Now my daughter Heather has the touch and she's really pretty good! I think it's just in the blood!

What has been your favorite moment(s) in your career?

Going to Cash Cabin was special. Meeting and getting to play with some of the people I've looked up to. I've played with some pretty powerful people through the years, Gary Holland was with Great White, Dave Olson played with Robert Cray and Savoy Brown, Rick Jewett was with Savoy Brown for a stretch and Rick Lonow played Poco, The Burrito Bros. and a whole lot of others. I've remained in good company all of them! I enjoy making the music we've made, and jamming, and I guess some of those jams would have to be my favorite moments!

Worst?

Breaking down in Cleveland, Ohio on my way to a gig in Pierre, South Dakota.

You released 'Here To Testify' last year, but that wasn't your first release. When/ what was?

"On To You Now" was my first release back in 1995. I sold a couple thousand copies, which was pretty good for a guy nobody had ever heard of! I've made quite a few recordings since then. I've recorded four other projects that were never released in between that time, as well. I have also done studio work on a lot of other peoples' projects where I've played guitar or sang backup vocals.

You went to Nashville to record 'Here To Testify." Where did you record it?

It was recorded at Cash Cabin/North of Nashville in Hendersonville, TN.

What prompted you to go to Cash's Cabin to record?

I was fortunate enough to get back stage at the Auditorium in Utica, NY., and met Mr. and Mrs. Cash. They invited me down to Tennessee back in the early 1970's when Johnny was starting his own production company, but I just never had the opportunity to go and always regretted not going sooner. A year and a half ago, their son, John Carter Cash provided me with the opportunity to record at Cash Cabin .The Cash people are good people - true southern hospitality! Chuck Turner who was the engineer there said to me, "We don't make demos. We make records" I think that's a big part of what got me!

I understand that you're looking to record a follow-up CD at another famous studio. Can you tell us about that?

I have been working on a new project, so I spoke with some people in Florida that are connected down in Lynyrd Skynyrd country. I'm working on cutting an EP with six new songs. I'm still putting the pieces together, trying to button up the tunes. it's harder this time because I'm recording in two different places. I'm doing the rhythm tracks here and the rest in Fla. It's going to be a cool gig and take a little longer than the last. Cash Cabin took two days total to record. It was a great jam. I wanted to go back to my roots as a child listening to the music that I used to like to hear. "Here To Testify" was that for me.
With the new recording, I want to take a little more time, so it isn't quite so crazy trying to get everything done, and with a little more guitar work this time.

How would you describe your music and what should listeners take from it?

My music has always come from inside. I have a hard time marketing it because they can't put me in a category. I play the blues. I play country. I play old time rock and roll & folk. I listen to it all and am influenced by everything. I'm pretty diverse. I've been getting more into the old blues and gospel lately! My music tells a story. It's kind of like painting a picture, every stroke makes a better painting! That's what I do with music. Every movement makes it that much more!

What advice have you given your daughter, Heather, in the pursuit of a career in music?

I have three kids and have told them all to "hit the notes, to have a tough skin, because it's a tough business, and don't wind your strings backwards".

What is your take on the current local music scene and what improvements are needed?

I've seen some of the locals that have come out, and grown and stayed in the last couple of years. I've seen some of the older musicians come back out and start playing again. And I've been seeing more and more festivals and shows popping up again. There is stuff going on. We need more people to support live shows, live bands started it all. Support Local Music there is some really good local stuff out if you listen!
Thank you, Randy!

Here are some places on the web to find out more about Randy Case and hear some of his great musical contributions.

http://www.reverbnation.com/randycase

https://twitter.com/RandylCase

http://www.facebook.com/randy.case.395?ref=tn_tnmn